Between Bridges Residency
January–June 2026: Kristian Vistrup Madsen
The Heart is a Pump is an exhibition project that takes its name after a poem by Bob Flanagan. It evolves across three parts with attending film screenings and conversations, exploring the motifs of pain, repetition and submission in Christian iconography and beyond.
The exhibition project is open by appointment through June as part of the residency in the space at Keithstraße. Please refer to the chronology below for special opening hours, event dates, and further information.
Residency Space
Keithstraße 15
10787 Berlin
Kristian Vistrup Madsen is a writer and curator based in Berlin. In 2025, he curated Mood Curriculum, a series of events and podcasts at Simian in Copenhagen that sought to define the notion of Stimmung as essential to artistic and curatorial practice.

The Heart is a Pump
Part II: Extreme Humility (i can shrink smaller than your boot heel)
29 April – June
Opening: 29 April, 6–9 pm
With works by Rochelle Goldberg and Alexander Tovborg
curated by Kristian Vistrup Madsen
"It is about pleasure, jouissance, denigration, the wounds that one inflicts on oneself?" (Catherine Breillat, I Only Believe in Myself)
Image: Alexander Tovborg, Extreme Humility, 2026.
Download exhibition flyer
Opening hours:
Gallery Weekend Berlin (30 April–3 May, 2026): 11 am–7 pm
From 4 May–June by appointment.

The Heart is a Pump
The Anatomy of Hell: On Sex and Punishment – an interlude
Saturday, 18 April 2026, 3–6 pm
With Kristian Vistrup Madsen, Izabella Scott, Alexander Tovborg
After an introduction by Kristian Vistrup Madsen, author Izabella Scott will be in conversation about her book The Bed Trick (Atlantic, 2026). She will then speak to artist Alexander Tovborg about his suite of works for The Divine Comedy (Strandberg Publishing, 2025).
Download exhibition flyer

The Heart is a Pump
Part 1: Almost Nothing to See
Opening: Thursday, 19 March 2026, 5–8 pm
An exhibition with works by Rochelle Goldberg and Rosa Aiello, Texts by Bob Flanagan and Georges Didi-Huberman. Curated by Kristian Vistrup Madsen.
“Almost nothing was visible, that is to say: already something other than nothing was visible in that almost. One actually saw, then, something else, simply in the looking forward to it or the desiring of it.”
– Georges Didi-Huberman, The Index of the Absent Wound (Monograph on a Stain)
Download exhibition flyer
Download list of works
Documentation
The Heart is a Pump, Part 1: Almost Nothing to See
Works by Rochelle Goldberg and Rosa Aiello, Texts by Bob Flanagan and Georges Didi-Huberman.
Photos by Adrian Escu / @groupshow.eu






















